Sometimes, a film comes along that isn't just "bad"—it's a jaw-dropping masterclass in how not to make a movie. Enter Masti 4, the latest installment of a franchise that had long overstayed its welcome. Directed by Milan Luthria, whose previous film Ek Deewana Ki Diwaniyat failed to impress, Masti 4 raises the bar for cinematic cringe to an all-time low. If you're looking for an example of just how disastrous Bollywood comedy can get, this is the film to watch. However, let me warn you: it's more painful than enjoyable.

The Premise: A Sex Comedy Gone Wrong

“Masti 4” attempts to be a sexy comedy that explores the lives of three middle-aged men with "hot wives" who are dissatisfied with their sexual lives. The plot is built on the idea that these men, fed up with their marriages, decide to explore their fantasies outside the confines of their relationships. This leads them to Arshad Warsi's character, who introduces them to the idea of a “love visa”—a one-week period where they are allowed to fulfill their fantasies without repercussions. To keep the plot moving, the trio manages to convince their wives to allow them the same liberties. But as you can guess, chaos and cringe ensue.

At its core, the film tries to juggle the themes of marital dissatisfaction, sexual liberation, and fantasy fulfillment. However, it flounders because it fails to understand these concepts on a basic level. It attempts to be a sex comedy but ends up being neither funny nor sexy. Instead, it comes across as a misguided, tone-deaf attempt at humor that insults the audience's intelligence.

When Sex Comedy Goes Terribly Wrong

The real problem with Masti 4 is that it completely misunderstands what makes sex comedies work. The genre thrives on wit, charm, and often, subtlety, but this film fails at every turn. Rather than being smart, sexy, or funny, it relies on outdated tropes and juvenile humor that would have felt stale even in the early 2000s. The dialogue is riddled with crass double entendres, which might have been funny once upon a time, but now feel more like an awkward attempt to recapture the spark of Masti (2004) or Grand Masti (2013).

Moreover, the film insists on moralistic messages disguised as humor. While it attempts to showcase female empowerment, the script ends up portraying the wives as completely clueless, thus undercutting any positive narrative about gender equality. The idea that "sexy" equals "dumb humor" is a misguided one, and Masti 4 embraces this idea wholeheartedly, creating a cringe-worthy atmosphere that's hard to shake off.

Outdated Jokes and Cringe-Worthy Dialogues

A key factor that makes Masti 4 so unbearable is its reliance on outdated jokes that fail to land. The film’s humor seems stuck in a bygone era, relying on double-meaning puns, juvenile innuendos, and slapstick antics. These jokes don't just fall flat—they fall into a pit of desperation, as if the writers were trying too hard to capture the same irreverence that worked for films like Masti or Kya Kool Hain Hum. Instead of feeling fresh, these attempts at humor feel tired, lazy, and borderline offensive.

The dialogues, too, are another source of frustration. It’s hard to believe that seasoned actors like Riteish Deshmukh and Vivek Oberoi were part of this mess, as their characters spout some of the most cringeworthy lines imaginable. The conversations between the characters feel scripted, forced, and devoid of any natural charm. You can almost hear the actors mentally checking out, delivering their lines with the bare minimum of effort, as if they too know this film is beyond saving.

The Performances: A Wasted Cast

Speaking of the actors, Masti 4 is a perfect example of how even talented stars can’t save a bad script. Riteish Deshmukh, known for his charm and versatility, seems to be sleepwalking through his performance. He plays his role with none of the energy or wit that his fans have come to expect. Similarly, Vivek Oberoi and Aftab Shivdasani contribute to the misery, turning in performances that feel more like autopilot than actual acting.

Arshad Warsi, usually the go-to guy for comic relief, doesn’t fare much better. His character, which is supposed to be the catalyst for the chaos that ensues, comes off as more irritating than entertaining. The lack of chemistry between the leads is palpable, making it hard for the audience to invest in any of the character arcs, let alone care about their fantasies or relationships.

A Plot That Barely Exists

If you’re hoping that Masti 4 has a twist or some clever plot development to redeem it, prepare to be disappointed. The film's narrative is as thin as paper and barely moves forward. After the interval, the wives, who were initially portrayed as naive and subservient, decide to indulge in their own fantasies, leading to a rushed climax that culminates in the revelation that the wives were behind all the chaos. The idea is that they orchestrated the entire mess to keep their husbands "happy." This so-called twist feels like a last-minute attempt to justify the film’s otherwise lackluster narrative, but it only adds to the disorienting nature of the movie.

The pacing of the film is another issue. It drags on far too long, with scenes that seem like filler rather than plot-driven moments. The writing is lazy, and there’s a complete lack of emotional investment in any of the characters. By the time the film reaches its conclusion, you’ll be more relieved that it’s over than invested in the resolution.

A Verdict of Maximum Badness

In conclusion, Masti 4 is not just a bad movie—it's a glaring example of how Bollywood's comedy genre can fall victim to outdated tropes, poor writing, and misdirected performances. The film is an exhausting watch that leaves you questioning how a production with such a star-studded cast could go so wrong. From the cringeworthy jokes to the lack of chemistry between the actors, Masti 4 fails on almost every level.

If you're curious about just how low Bollywood sex comedies can go, Masti 4 is the film to watch. But if you value your time, your sense of humor, and your sanity, you might want to steer clear. The film is a painful reminder that cinema sometimes needs a wake-up call—and this film should be the one ringing the alarm.

Final Rating: ★☆☆☆☆
Bottom Line: A cinematic disaster that should be avoided at all costs.